Inventions and Innovations

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    A Cognitive Semantics Analysis Of Fulstop And Valentine Taarab Songs By Khadija Kopa And Mzee Yusuf
    (2017) Ntabo, Victor Ondara
    The Taarab composers and singers Khadija Kopa and Mzee Yusuf have gained appeal for their hilarious and metaphorical songs. In particular, the songs, Fulstop by Khadija Kopa and Valentine by Mzee Yusuf have been a massive hit with many Kenyans as they are regularly played in coastal FM stations and social gatherings, thanks to their use of metaphors and witticism. Basically, the song Fulstop is about Khadija Kopa’s self-praise of her achievements in the music industry and the pieces of advice she offers the youths to stay away from vices especially drugs and substance abuse and illicit sex. Mzee Yusuf paints a picture of a patriarchal male member in society who is “worshipped” by women. Using four coders including the researcher, this paper set out to identify the metaphors in the songs through the Metaphor Identification Procedure Vrije Universiteit (MIPVU). In addition, the study explains the meaning of the metaphors using the Cognitive Semantics framework. Content analysis which is within the qualitative research paradigm, also guided the analysis of the metaphors in the songs. The study found that the MIPVU is an effective method of identifying metaphors in songs. Also, the study notes that animal, human being, plant and object metaphors are source domains in the construction of metaphors in the songs. The study concludes that the metaphors in taarab songs belong inherently to different levels of the generic Great Chain of Being Metaphor (GCBM).
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    The value of conceptual mental spaces in structuring a man as endagera (food) in Ekegusii
    (Australian International Academic Centre PTY.LTD., 2022-02-28) Ntabo, Victor Ondara; Onyango, James Ogola; Ndiritu, Nelson Ng’arua
    Food is useful in the transference of semantic aspects that are vital in the construction of masculinity in society. Consequently, foodsemic metaphors that aid in the conceptualization of omosacha (a man) are pervasive in Ekegusii. Metaphor use may, however, present difficulties in comprehension due to the various interpretations that may be assigned to each of them. The meaning of Ekegusii foodsemic metaphors may, therefore, be elusive to the native speakers of Ekegusii. The paper employs the principle of conceptual mental spaces to interpret Ekegusii foodsemic metaphor within the Cognitive Linguistics framework. The study adopts descriptive research design. First, the terms that are used to describe men in Ekegusii are identified by administering an interview schedule to 48 Ekegusii native respondents purposively sampled on the basis of gender. The data collected is then subjected to the Metaphor Identification Procedure Vrije Universiteit (MIPVU) in which four annotators are used to identify Ekegusii male metaphors. Through the MIPVU, 52 metaphors are identified. The paper then selects one metaphor that describes a man as food hence the Ekegusii foodsemic metaphor for this study. The research reveals that the integration of the four conceptual mental spaces that include two input spaces, the generic space and the blended space is resourceful in structuring a man as a symbol of nourishment in Ekegusii. Moreover, the MIPVU is unveiled as a useful metaphor identification method that provides a clear guide in the establishment of precise metaphors for study. The study concludes that metaphors are integral components of communication and should be explained using the Cognitive Linguistics paradigm. The findings of the study will contribute to Linguistics especially the field of Cognitive Linguistics which is relatively new and has not been subjected to extensive research. In addition, the findings will be useful to metaphor scholars in comprehending Ekegusii male metaphors and culture.
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    Invention to monitor water levels in tanks
    (Karatina University, 2017-08-03) Muthungu, Karimi