AFRICAN ORAL LITERATURE: ANALYSIS OF VISUAL RESOURCES AND IMPROVISED TECHNIQUES IN SELECTED BUKUSU CIRCUMCISION SONGS

Abstract

The study is an analysis of visual resources and improvised techniques in the actualization of the Bukusu circumcision songs. The study examines the roles, social cultural values and dynamisms of visual resources and improvised techniques in actualizing Bukusu circumcision songs. Visual resources and improvised techniques in the Bukusu circumcision songs are likely to vanish due to social and cultural chamges. The purpose of this study was to determine the specifics impact of these valuable components in Bukusu circumcision songs. The study's objectives examined the role of improvised techniques and visual resources in actualizing Bukusu circumcision songs, analyze the social-cultural values attached to them and evaluate their dynamic nature. There are scanty and generally analysed literary studies on Bukusu oral literature; this study intends to fill the gap by focusing on visual resources and improvised techniques integral to the Bukusu circumcision songs. The research was conducted among the Bukusu sub-community of Luhya community in Kimilili- Sub County, Bungoma County with a sample size of 220 respondents. The study employed Performance Theory because it was a performance-cantered approach and more adequate for analysing visual resources and improvised techniques employed in Bukusu circumcision songs more effectively. The study relied on mixed methods research designs. The primary and secondary sources were exploited in data collection. Data analysis was done using Statistical Package of Social Sciences then subjected to the rating scale. Regarding study objective number one, the study found that visual resources and improvised techniques played a role actualising Bukusu circumcision songs. The study's second objective found that social-cultural values are attached to visual resources and improvised techniques in Bukusu circumcision songs. In analysing the dynamism of visual resources and improvised techniques in Bukusu circumcision songs, this study found that that education and theme change in BCS impacted visual resources and improvised techniques. The researcher demonstrated that visual resources and improvised techniques components exhibited during the actualization of Bukusu circumcision songs are integral parts of Bukusu circumcision songs, without which the songs are deemed incomplete. This work will be critical to scholars in various institutions where subjects including music, dance, and creative sculptures are fields of interest to societies. Based on the objective of study, the researcher recommends that the roles of visual resources and improvised techniques in Bukusu circumcision songs cannot be ignored; there is a need for the government of Kenya and other cultural stakeholders to appreciate these components and initiate programs that promotes traditional circumcision songs as a source of tourist attraction activities in Kenya.